Questions: In New Orleans jazz, a second melody (or counter-melody) played on clarinet, subordinate to the principal melody played on cornet, is known as: Select one Obbligato melody Pizzicato Ragtime Rubato

In New Orleans jazz, a second melody (or counter-melody) played on clarinet, subordinate to the principal melody played on cornet, is known as:
Select one
Obbligato melody
Pizzicato
Ragtime
Rubato
Transcript text: In New Orleans jazz, a second melody (or counter-melody) played on clarinet, subordinate to the principal melody played on cornet, is known as: Select one Obbligato melody Pizzicato Ragtime Rubato
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Solution

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Answer

The answer is Obbligato melody.

Explanation
Option 1: Obbligato melody

An obbligato melody in New Orleans jazz refers to a secondary melody or counter-melody that is played on the clarinet. This melody is subordinate to the principal melody, which is typically played on the cornet. The obbligato provides harmonic and rhythmic support, enriching the overall texture of the music.

Option 2: Pizzicato

Pizzicato is a technique used in string instruments where the strings are plucked with the fingers instead of being played with a bow. This term is not relevant to the context of New Orleans jazz melodies.

Option 3: Ragtime

Ragtime is a musical genre that predates jazz and is characterized by its syncopated rhythms. While it influenced early jazz, it does not specifically refer to a secondary melody played on the clarinet in New Orleans jazz.

Option 4: Rubato

Rubato is a musical term that refers to the expressive and rhythmic flexibility by slightly speeding up or slowing down the tempo. It is not related to the concept of a secondary melody in New Orleans jazz.

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