Questions: Which statement is true of Soviet Montage? It imparts meaning through quick film editing and the juxtaposition of unrelated or conflicting images shown in rapid succession. It is an approach to filmmaking that contrasts black-and-white imagery with color imagery. It is an editing technique pioneered by a Russian psychologist that focuses on inducing a unique thought from two varied pictures. It is a technique often used to intensify suspense and horror in film.

The answer is: It imparts meaning through quick film editing and the juxtaposition of unrelated or conflicting images shown in rapid succession.

This statement accurately describes Soviet Montage, a film editing technique developed in the Soviet Union during the 1920s. Pioneered by filmmakers like Sergei Eisenstein, this approach uses the juxtaposition of different images to create new meanings and evoke emotional responses from the audience. The rapid succession of conflicting images is a hallmark of this style.

This statement is not true of Soviet Montage. The technique is not specifically about contrasting black-and-white with color imagery, but rather about the editing and sequencing of shots to create meaning.

While Soviet Montage does involve creating new meanings from the juxtaposition of images, it was not pioneered by a psychologist. It was developed by filmmakers like Sergei Eisenstein and Lev Kuleshov, who were influenced by psychological theories but were not psychologists themselves.

While Soviet Montage can be used to create suspense, it is not specifically a technique for intensifying suspense and horror. Its primary purpose is to convey complex ideas and emotions through the editing process.