Transcript text: Albrecht Dürer used this image to illustrate a treatise on perspective, but many feminist critics have seen it as a metaphor, intentional or not, for the way in which males have for hundreds of years subjected women to a kind of vision that asserts the mastery and control of the (male) artist. What details in the print support the feminist reading of the image? How is it is fair or unfair for contemporary critics to impose their point of view on a Renaissance image?