Questions: In the Baroque Era, airflow through an organ was generated by a water wheel powered by a local stream or river someone (usually a small boy) treading on a large set of bellows a steam-powered pump behind the pipes the organist pushing down the pedal board with his or her feet

In the Baroque Era, airflow through an organ was generated by 
a water wheel powered by a local stream or river
someone (usually a small boy) treading on a large set of bellows
a steam-powered pump behind the pipes
the organist pushing down the pedal board with his or her feet
Transcript text: In the Baroque Era, airflow through an organ was generated by a water wheel powered by a local stream or river someone (usually a small boy) treading on a large set of bellows a steam-powered pump behind the pipes the organist pushing down the pedal board with his or her feet
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Solution

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Answer

The answer is someone (usually a small boy) treading on a large set of bellows.

Explanation
Option 1: a water wheel powered by a local stream or river

While water wheels were used in some historical contexts to power machinery, they were not commonly used to generate airflow for organs during the Baroque Era.

Option 2: someone (usually a small boy) treading on a large set of bellows

This is the correct answer. During the Baroque Era, organs required a continuous supply of air to produce sound. This was typically achieved by having someone, often a small boy, manually operate large bellows to pump air into the organ.

Option 3: a steam-powered pump behind the pipes

Steam power was not used for organs during the Baroque Era, as steam engines were not widely available or practical for this purpose at that time.

Option 4: the organist pushing down the pedal board with his or her feet

The pedal board is used to play bass notes on the organ, not to generate airflow. The organist's feet are used to play these notes, not to power the organ.

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